10 Things You Should Do BEFORE Your Child Begins Piano Lessons

This is a quick checklist of things to do, buy, learn and decide before your child has their very first piano lesson.

Working your way through this checklist will speed up your child’s learning curve, possibly by months (maybe more!), and once you’ve covered every item below you will be a superbly equipped parent entering into the role of nurturing the growth of a new little (or not so little) pianist.

1. Buy a piano. This may or may not seem like a no-brainer to you. In case it’s not, let me explain. Your child will not make progress without a piano at home with which they can practice between lessons. So until you have a piano don’t bother organising to take piano lessons. Unless your goal is to pay for really expensive babysitting.

Ideally you will buy a good quality acoustic piano, but there might be reasons why you would prefer a digital piano (usually issues related to living in an apartment or a very small house). You want an acoustic piano because it does cool stuff that digital pianos can’t do – things like capturing harmonics when you silently depress the keys and then play other keys – and because the ‘touch’ your child will develop when practicing on an acoustic piano will be a better touch than when they practice on a digital piano.

But if a digital piano is the best option for you you’ll discover that a digital piano offers some wonderful extras that acoustic pianos don’t deliver (things like recording your performance and a variety of sound options – how many extras, and how wonderful they are, will depend on the quality of the digital piano you buy). The thing is you need weighted keys, touch sensitivity, a fixed pedal, a music stand that is not flimsy, and a sound that really does match the sound of a piano (as compared to electric keyboard).

2. Put the piano in a part of the house that isn’t a. lonely and/or b. where the only TV is. Two of the biggest reasons children don’t end up practicing is because they’re either lonely in the glummest/most distant room of the house or because everyone else wants to watch the television and the piano is in the same room. Having the piano hidden away communicates that the piano is not something normal or useful; having the piano and tv competing for acoustic space is just asking for conflict in your family.

3. If you have an acoustic piano, keep it tuned! This is more of an adminstrative burden than it is a major expense (you need to find a piano tuner, book them up, and then be at the house while they tune the piano), but if your piano is out of tune your child(ren) will find playing the piano far less pleasant, and you won’t enjoy hearing the piano played all that much either.

4. Have the piano in your house for months – even years – before your child begins lessons.  This is about developing a sense of the everyday about the instrument (the piano is a part of normal life) as well as allowing the child to explore the instrument quite thoroughly prior to lessons beginning. To which end….

5. Encourage your child to play around with the piano prior to beginning lessons. You can’t break a piano by playing it, and your child will develop a sense of familiarity with the layout of the keys (black notes in groups of 2 and 3 placed between white notes) and the way the keys make sounds (high sounds towards the right, low sounds towards the left) as well as different effects the piano can make (softer sounds when you press more gently, sustained sounds when you depress the pedal, etc.). This saves time in the first weeks of lessons and, more importantly, means that your child will have a confidence when being asked to try ‘new’ things on the piano in these first few weeks and months.

6. Purchase a chair/piano stool/piano bench that is height adjustable.  Sitting at the right height is a huge part of what makes playing the piano comfortable and effortless, and sitting at the wrong height can prevent the pianist from creating beautiful sounds. Don’t make do with cushions – organise a permanently available means for your child to sit with maximum ease at the piano.

7. Notice what your child discovers at the piano, and (when the time is right) talk about their discoveries with them. Does your child play the same thing (or variations of the same thing) every time they get near the piano? Or do they experiment with one kind of sound for a few days and then move on? Do they try to pick out tunes, or are they more interested in piano role-playing? Do they play across the full length of the keyboard, or restrict themselves to one area?

Noticing the way your child experiments is an essential foundation to being able to talk about what they are doing. And talking about what your child does is an essential part of validating and consolidating the discoveries they are making.

It doesn’t matter if you’re not sure of the exact musical term, talk about the kinds of feelings the sounds reflect, what the sounds remind you of, and ask your child to talk about their intentions, ideas and reflections. Some pianist gestures are gentle, others are cheeky, while yet others can be very sad indeed. Starting out your child’s pianistic journey by talking about emotion, attitude and texture (smooth/spiky, for instance) puts your child at an enormous advantage in communicating with others about their playing.

8. Make sure your child knows the difference between their right and left sides. This is a bigger issue than simply knowing the right hand from the left; having your child be aware that they can create an action on one side of their body and then mirror that action on the other  develops physical-spatial awareness that will be immensely beneficial when learning new skills at the keyboard. Which is to say: having a child practice jumping to the left or jumping to the right will help them be better pianists. Anything that asks a child to do things with their body in terms of left and right will lay the foundation for physical fluency at the keyboard.

9. Make sure your child knows their alphabet. From A to G. And maybe back again. This won’t be covered in the first lesson (normally), but if your child understands that the musical alphabet goes A B C D E F G A B C D E F G A B, etc., they’ll save at least half a lesson. And if your child can think through those letters backwards you’ve probably saved two more whole lessons over the course of the first year.

10. Show your child a treble and bass clef. And explain that the treble is for high notes, the bass for low notes. If you have no idea what a treble clef is then google it. This is just a symbol, but the more familiar your child is with what these symbols look like these easier it will be for a teacher to introduce new ideas quickly during the first year or so of lessons. The treble clef in particular is an oft-used symbol to represent music – your child may well have already seen this symbol and just never quite understood what it meant (it just means the notes on it in the top half of the piano). Being confident distinguishing these two symbols could save half a lesson or so at least three times in the course of the first 12-18 months of lessons.

I’m sure readers of this post will be able to contribute more great ideas for things parents can do before their child begins piano lessons, but these are my top 10.  If every new student had these items covered … Well, I can dream, can’t I?!


28 Responses to “10 Things You Should Do BEFORE Your Child Begins Piano Lessons”

  • Erin Bullard

    Wow Elissa! You must have read my mind! I am getting ready to begin teaching my daughter piano in the next 4-6 months and was just wondering how to, er, prime the pump. So far, we have accomplished 9/10 on your list (and #10 is what remains). As a pianist, I’m sad we only have a digital piano, but I guess it’s better than nothing.

    Will you be writing a follow-up post to this? Curious about top 10 things to do once child begins! I am thinking of using a Suzuki-inspired method (I’m not trained, but have read loads). Would love to hear your thoughts on approaches
    for young students (age 3-5).

    Thanks for a great post!

    • elissamilne

      Oh, that’s fantastic to hear (that this is so timely for you!)! These things are very much in my mind because I have a 4 year old myself, and I’m noticing the things I’m doing to have him lesson-ready. Your comments are inspiring me to get some follow-up posts written as soon as possible!

  • David McKay

    This is GOLD, Elissa. And I loooove Number 1. [Got tricked just last week on that one!]

    What about Number 11?

    I have heard that the post-modern 11th commandment is
    Thou shalt not commit thyself!

    I think Number 11 is Help your child to know their finger numbers and especially to know that the thumb is 1 and the pinkie is 5.

    • elissamilne

      Yes, that would have been number 11, I think, but it’s complicated if kids are already learning violin…. And there are things not on the list that I’m taking for granted even if parents don’t anticipate their children learning an instrument – things like being able to clap in time….

  • timtopham

    Spot on Elissa – love the first point! Seems like a no brainer, but I had 3 sign up this year at school with no access to a piano!!! I shall keep a link to this very handy! All the best :)

  • crosseyedpianist

    Very helpful post – I will put a link to it from my blog/website. Whenever I interview new students (and their parents!) I always ask if they have a piano and whether it is kept in tune. Many do not, due to financial and/or space constraints, and generally ignorance about the instrument. I have played a couple of my students’ pianos and have, largely, been horrified at the quality. These are pianos which were bought second hand, very cheaply, and are not properly maintained. It can have a serious affect on the way a student plays if their instrument is not in tune, or has keys that don’t work etc. I think another factor is making sure the child actually wants to learn, that it is the child’s choice to take up the piano (or indeed any other instrument). I have encountered a number of students who are being hot-housed or forced to play by pushy parents, and they are not the best students, for all sorts of reasons. Plus the parents can be a nightmare!!

  • Aubrey

    Number eleven: have your child observe a lesson!

    • elissamilne

      Great suggestion – but not until parents have determined what kind of lessons they will be organising for their child (or which teacher they will be taking lessons from). There can be quite substantial differences in style, format and content from one teacher/teaching style to the next! Younger siblings are often advantaged in this sense – they know they will be taking lessons from the same teacher as their older sister/brother, and they have no doubt spent time around the teacher over the previous year(s) prior to lessons beginning.

      Having said that, it’s often not possible to observe a lesson in situations where teachers are working one-on-one, so while this can be helpful it might be beyond the control of the parent to organise….

      • David McKay

        I had a little girl turn up to a seasoned student’s lesson. Observing how I work with Susan, who has been coming for six years and is fifteen years old, would not give five year old Rosie any idea what her lesson would be like!

  • Shauna

    I love No. 1! That’s the first thing I ask when parent inquires about lessons. To me it’s obvious .. to others, not so much.

  • Susan Johannessen

    Thank you Elissa. This article is perfect for sharing with my prospective and enrolled music studio families. Pleased to see ’10 things’ has travelled internationally too!

  • Christine Pierce

    I found your blog yesterday via a link at the Piano Adventures Forums http://pianoadventures.com/forum/ubbthreads.php?ubb=showflat&Number=55067#Post55067 . I have immediately read the entire blog, and am impressed, amazed, awed, inspired, by your amazing insights and clarity of expression. I’ve now subscribed to be notified of new posts — the first time I’ve done that with a blog — and reading that you are on Twitter, tempts me for the very first time to join Twitter just so I can follow your tweets. Thank you so much for writing this amazing resource.

    I recently bought a piano and began taking lessons. I taught myself to play piano as a child, but have not had access to a piano for thirty years. I am loving every instant. I go home from work and could play nonstop until bedtime. (Single, no kids, allows me this luxury.) For some reason I find myself absorbed with reading about piano teaching. You’d think I’d want to read about how to play piano — but no, it’s the passion and the dramas and the insights of teaching that fascinate me. Alas, I don’t think my ear (very mediocre) or my skill (unlikely to reach elevated heights, although I would adore to be able to reach a point of being able to play Beethoven sonatas and Bach fugues) will probably ever bring me to a point of being able to be a teacher myself.

    I also find myself wanting to rush right out and buy all the children’s books you’ve written about. My sister and I often give each other children’s books, and I think from your blog I have now gotten gift ideas for a long succession of birthdays and Christmases for her :-) .

    Thank you so much for your wonderful writing.

    • elissamilne

      Christine, thank you so much for your comment – a reader who appreciates the children’s book reviews AND the music theory rantings! I deeply appreciate your taking the time to give me such positive feedback!

      All the best with your lessons – I meet a surprising number of piano teachers who have taken up the piano in adulthood and found themselves addicted (it’s easy to think you’ve missed the boat if you didn’t start in childhood). Who knows where life will lead?!

  • Free music theory worksheets

    Great comment about the piano “not being near a TV”. As a piano teacher, I’ve had students tell me that having the piano near the television actually helps them concentrate better, since they have to “multi-task” during the lesson. LOL, but I do agree an environment free of distractions is better. Good post, thanks!

    -Theresa

  • Dan Severino

    I like #9 (… and maybe back again). I used to give students a little quiz as their first lesson. One question was to recite the alphabet to G …. and then recite it backwards, from G to A. The question was asked to determine if the student could “reason”. Actually, I found the question a good indicator of a student’s mental agility.

    Good set of points.
    Dan Severino

    • Les Dyxic

      Hi Dan,

      My son has just had his first piano lesson. His IQ has been rated as high average and verbally superior, but, despite being nine years old, he literally would not be able to tell you that the day after Tuesday is Wednesday, let alone go backwards from G to A. He’s dyslexic and has enormous problems ordering anything.

      I’d suggest that, just as someone has said that IQ tests are good at determining how good someone is at doing an IQ test, asking someone to recite from G to A is good at determining whether they are good at reciting from G to A – and not necessarily anything more.

      We’re keen for him to learn piano as a kind of therapy, as well as because he is a naturally musical kid – he spends most of his free time humming, and pulls harmonies out of nowhere when listening to music in the car.

      We went for the ‘Simply Music’ method for its hands-on approach and after 5 practices this last week, his 10 fingers are going up and down really impressively compared to the real struggle he had with it in the lesson. Here’s hoping it continues!

      • elissamilne

        Hi Les (!)

        The issue of children with learning difficulties learning the piano is a fascinating one. Firstly (and excitingly) – piano lessons have the potential to make an amazing contribution to children ‘unblocking’ in regard to a range of difficulties.

        Secondly, many piano teachers are not well-trained to cope with teaching a child with learning difficulties! Despite this, the one-on-one nature of the lesson situation is perfect for tailor-made learning approaches, and piano teachers as a profession relish the challenge of finding ways for each child to connect with music and with the piano.

        Dyslexic students do face substantial challenges with reading music (unsurprisingly!) and, because traditional piano teaching does have a significant focus on teaching music literacy alongside pianistic skills, it can be extremely useful for teachers to test things like being able to say A to G forwards and then backwards in order to see how easily children can think in *this* particular way.

        Facility with sequencing and ordering is a particular kind of mental agility (and one that is tremendously helpful in fast-tracking musical learning, as it happens), but it is not the only kind of mental agility! On the other hand, I would think that your son will find his skill at thinking around patterns will be greatly enhanced by his musical experiences.

        My experience is that parents are not always keen to share with a piano teacher information such as an assessment of dyslexia, and sometimes teachers struggle on for months trying to figure out what’s going on. Well-informed piano teachers can let parents know whether they think they will be a good fit for the needs of children with specific difficulties.

  • Samantha Dieckmann

    Hi Elissa, love your work! I have a question about #1. I live and work in Western Sydney, and a lot of the families I work with are not well off enough to purchase a piano straight away. When we speak about it, I even agree with them that they should not buy a piano (a pretty significant purchase) until the child/student has shown enough commitment to learning the instrument long-term. What are your thoughts on this?

    • elissamilne

      Samantha, thanks so much for your comment and question! In thinking about a reply I’ve realised I should write it as a whole new post – which I will try to do before the weekend is over. There are a lot of issues in this question, and I’ll unpack them in that post (as soon as I have an hour or so free).

    • Catherine Behrenst

      Thank you for your excellent suggestions. I expect my students to have a piano before they begin, but I tell them that digital or acoustic does not matter as much to me. Even a keyboard is fine with me for beginners, as long as it has at least 76 keys and is touch-sensitive. I did have a student begin once without a piano, and it wasn’t very fruitful. So I decided to make this a must to begin lessons.

  • 10 Things You Should Do BEFORE Your Child Begins Piano Lessons (via Elissa Milne) | Top Left Hand Page

    [...] I promise I’ll get back into blogging soon. Really I will. When it gets less busy. Like October. Or maybe next year. Or the year after… surely there must be some free time by the end of the decade…. This is a quick checklist of things to do, buy, learn and decide before your child has their very first piano lesson. Working your way through this checklist will speed up your child’s learning curve, possibly by months (maybe more!), and once you’ve covered every item below you will be a superbly equipped parent entering into the role of nurturing the growth of a new little (or not so little) pianist. 1. Buy a piano. This may or may not seem lik … Read More [...]

  • Sylvia Eastwold

    #1 is also one of the first questions I ask prospective students’ parents. Sadly so many of them have no instrument. It has been in my heart for a long time to provide a Practice Studio for students. It would be a store front divided up into practice rooms. Parents would pay a small fee per hour of practice for their child. This would be cheaper than buying or renting a piano AND they would have access to a piano teacher – ME! I would also teach my students there. And in my dreams it would have enough room for my group lessons to do marvelous things and there would be a nice recital hall! I can dream, right? :-)

    • elissamilne

      Nice dream!! That’s an interesting idea, but I wonder if it really would end up cheaper for the parent?

      You would need to charge enough to not only cover the cost of the piano being practiced on, but you would need to cover all your other costs (rent, rates, electricity/gas/water, fit-out, insurance) in the amount you charged parents, and I presume there would only be about 5 hours a day that students would want to be practicing away from home (roughly 3.30 to 8.30pm, possibly an extra hour in the morning?) and you would also need to cover a wage for yourself for every hour you need to be at the venue in order for it to be operating when you are not teaching. I’ve done a quick calculation, and I think you’d need to charge $20 per hour minimum in Sydney, and that’s assuming a completely full practice schedule… By the time a child does even 3 hours practice a week the parent is going to do the sums and realise they’ll pay off an entry level acoustic upright piano in less than a year at that rate!

      Especially once public liability insurance is taken into account our economy is not at all geared for sharing….

  • Mona Houser

    Elissa, That’s a wonderful list, but I think it would also be helpful to begin some rhythm awareness and movement. Most students have a little trouble with keeping a steady pulse — but some of them really struggle. (Or maybe they don’t struggle, and that’s the problem! :>)

    Thanks again for the helpful list.

  • nikkitytom

    Agree with this excellent list. It is amazing to me how many parents when they inquire about lessons for their child, ask in the next breath if they need to have a piano. Well of course they do. I always explain that the child may start on a small keyboard, but that they should be prepared to invest in an accoustic piano in about 6 months. A second-hand acoustic piano isn’t that much more expensive that a good digital. But you have to shop a bit. I have a fabulous Canadian Willis over 70 years old which has accompanied me to Hawaii. I paid less than $1000 for it and use it for recording.

    The main thing after having an instrument to practice on, is that the child not be too young. I don’t take children under 8 because I want them to learn quickly before they become bored. And I have found that if you start a child at 6 and three years later, when he is 9 and you have a new 9 year old student, by the time they are both 10 and a half, they’re prertty much at the same level. But the one who began later is MUCH more enthusiastic.

    it’s a matter of attention span, physical size of the hands and above all the difficulty of learniing a new “code” after learning the code of the ABC’s and reading. The code of music is much more complex, involving knowing the notes on the piano, on the staff lines and then coordinating the fingers to play them …. in time …. and with correct dynamics. Wow …. what a complex thing this is for a child.

    There are other wonderful more physical skills a child can learn in the earlier years. Any form of dancing, gymnastics or games. There’s plenty of time to add the discipline of music lessons.

    So good to read a teacher’s comments on how to prepare a child for those lessons. Thanks ….

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  • Fiona

    Hi Elissa,
    Great article and love your blog. My sister Gina pointed me in this direction as I was bugging her with questions about children’s piano lessons (my 7 & 9 year old are keen to play). Just wondering if you have any posts about choosing the right piano teacher and what to look for in a good piano teacher. I’ve really got no idea but I know it is so important with other disciplines (e.g. ballet) so I’m sure it make a huge difference with music too. Also can you recommend any piano and/or violin teachers for children on the Sunshine Coast.
    Thanks very much.
    Fiona

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