In 2016 I’ll be attending the MNTA Conference in San Antonio, Texas, in early April. I’ll be speaking at the conference about Repertoire-Rich learning (aka, the 40 Piece Challenge) on Monday morning, April 4, at 10.30am, and I’ll be attending the Tuesday Intermediate Masterclass where one of my Little Peppers pieces will be performed and “masterclassed” by Barbara Fest. (I’m a bit excited about this!)
And, fresh off the press (in fact, I don’t think it’s actually gone to press yet…!): in May I’ll be speaking at the Sydney Conservatorium of Music as part of the new “About Music Education” course. Dates and specific topic to be confirmed.
2015 began with a fantastic IRMTNZ conference in New Zealand. The conference celebrated the life of Douglas Lilburn and explored his impact on music education. My sessions looked at the craft of creativity and how that craft can manifest and be developed at the piano and in the instrumental lesson. This conference is the first ever conference I attended (as a young piano student) and I really felt as if I was ‘home’; this was a very special conference experience for me.
I was at NCKP (the US National Conference of Keyboard Pedagogy) at the end of July, 2015 (I’m a member of one of the committees involved in organising elements of the program). I presented two sessions at this conference, one on using repertoire as a teaching resource (for so much more than just performance material!) and another, co-presented with Diane Hidy, on taking a 21st century approach to teaching 21st century children who are increasingly demonstrating issues with distraction and learning disorders.
In late August I was anointed administrator of the truly extraordinary piano teacher’s Facebook group “The Art of Piano Pedagogy” when Irina Gorin announced her retirement from the role. You have probably met me there already; these days I’m there a lot…
And, if you’re in the print music business in Australia you may well have bumped into me in November at the Hal Leonard Australia 20th Anniversary party held on the Yarra River in Melbourne. I’ve been associated with Hal Leonard Australia since 1999, two years after my first print music book hit the market, and it’s both an extraordinary and exhilarating thing to have been along for the ride!
In 2014 no one much met me because I was quite ill with respiratory problems that saw me cancelling conferences, seminars and lessons with depressing regularity. Doctors were about the only people I was meeting in 2014, other than these few exceptions:
You may have met me in April at the West Australian Piano Pedagogy Conference in Perth where I was talking about working with students who present with learning disorders and processing dysfunctions (diagnosed or not!) and at the end of June you might have met me at the MTAC Conference in Los Angeles where I presented a seminar about Australian piano music appropriate for use with piano students (with the fabulous Diane Hidy at the piano!).
On the last weekend of July I finally made it over to Christchurch as a guest of the Christchurch/Canterbury branch of the IRMTNZ, to present a seminar entitled “Is There Madness in Your Method?”, an exploration of structuring the learning experiences of beginner piano students.
In early December you might have met me at the AMEB Series 17 launch held at Federation Square. David Lockett’s wonderful selections were launched with Larry Sitsky, Elena Kats-Chernin, Sonny Chua and myself present performing our compositions from the new series. A great night!
Where you might have met me in 2013:
In January 2013 I presented a new seminar, “Miracles on Mondays, Transformations on Tuesdays, and ideas for all the other days of the week as well” at Bernies’ MusicLand Educator’s Day in Melbourne on the 21st and 22nd at 9.45am each morning.
In February you could read a much-shortened and somewhat edited version of my A Simple Reason Why Audiences Are So Small For New Music Concerts post in Limelight magazine (the issue with Dame Joan Sutherland on the cover).
In March I attended (but did not present at) the MTNA Conference being held in Anaheim, California from the 9th to the 13th. I blogged a little about the experience: And for what it’s worth – I can hardly wait to have a new excuse to return to Disneyland.
Also in March 2013 I was one of three keynote speakers at the ADMIS annual conference, held in Healesville, Victoria on the 21st and the 22nd.
Between May and September I presented workshops in Victoria for AMEB Victoria about teaching beginners/working with P Plate Piano. I had the joy of returning to regional centres (Bendigo, Ballarat, Geelong and Traralgon) where I have had wonderful seminar experiences before, as well as speaking at Monash and Melbourne Universities in Melbourne itself. AMEB Victoria are always a pleasure to work with!
In early May I was fortunate enough to attend TEDxSydney at the Sydney Opera House as a member of the 2000-strong audience. It was an amazing day, but I’m not sure the Opera House is built for TEDx style networking! The crowd-sourced lunch was *just amazing*, and I’m still mulling on ideas presented on that day.
Also in May I attended an Anatomy of Music event run by Musica Viva for high school students, at City Recital Hall (Angel Place), which broke several moulds and/or expectations one might have of a classical chamber music presentation body. Bob Evans (singer-songwriter, equally well-known by his real name, Kevin Mitchell, and for being the lead singer of band Jebediah) was interviewed by Musica Viva’s John Hibbard about his song-writing, and students workshopped their own song-writing skills prior to presenting the songs in an inspiring impromptu performance.
In July 2013 I attended the NCKP Conference in Chicago from July 24 to 27. I was part of a panel discussing the process of interviewing transfer students, I introduced the wonderful Nancy Bachus before she gave her presentation on technique, and I also had the privilege of being on a panel with teachers from around the world, discussing the differences in piano pedagogy in different cultures as well as the common bonds between different teaching traditions. This conference was a whirl of meeting fabulous people and being terribly jet-lagged. [Note to self: in 2015 allow more than 24 hours to adjust to Chicago time!]
You might also bump into me at various musical/theatrical/ events in Sydney. I rather enjoyed seeing Tim Minchin and Toby Schmitz hamming it up in Rosencrantz and Guildernstern Are Dead (back in August). And I loved The Wharf Review a few weeks later. But my absolute favourite theatre event of the year was Waiting for Godot, with Hugo Weaving and Richard Roxburgh – a production that continues to resonate with me a few months on. If you see me at a show please don’t be shy about saying hello!
And of course, you may find me tweeting about music education, Australian politics, journalism, sport, apostrophes, literacy and goodness knows what else, under my Twitter handle @elissamilne; and some days I spend just a little too much time on Facebook (I’m the only Elissa Milne there, so far). Feel free to follow, friend, tweet and message me in either of these places.
And once my health returns – so will the blogging.